0 00:00:00,000 --> 00:00:30,000 Dear viewer, these subtitles were generated by a machine via the service Trint and therefore are (very) buggy. If you are capable, please help us to create good quality subtitles: https://c3subtitles.de/talk/2070 Thanks! 1 00:00:08,189 --> 00:00:10,019 Hello, and welcome back 2 00:00:11,150 --> 00:00:12,159 to the and. 3 00:00:15,070 --> 00:00:17,399 Our next talk is 4 00:00:17,400 --> 00:00:20,249 all the rage rave and 5 00:00:20,250 --> 00:00:22,469 our speaker will be Alexandra 6 00:00:22,470 --> 00:00:24,599 Cardenas, and 7 00:00:24,600 --> 00:00:27,059 she will talk to us about 8 00:00:27,060 --> 00:00:29,639 how you can 9 00:00:29,640 --> 00:00:30,640 practically 10 00:00:32,729 --> 00:00:34,979 create new spaces with 11 00:00:34,980 --> 00:00:37,289 algorithmic and generative 12 00:00:37,290 --> 00:00:40,349 dance music and 13 00:00:40,350 --> 00:00:42,630 and uh. 14 00:00:46,150 --> 00:00:48,249 And so I think this is 15 00:00:48,250 --> 00:00:50,169 a very exciting topic. 16 00:00:50,170 --> 00:00:52,449 I'm I'm very keen to to 17 00:00:52,450 --> 00:00:54,639 hear what what she will 18 00:00:54,640 --> 00:00:56,379 tell us in a few seconds. 19 00:00:56,380 --> 00:00:58,509 And um 20 00:00:58,510 --> 00:01:00,729 yeah, so one, 21 00:01:00,730 --> 00:01:03,399 please give her a warm welcome because 22 00:01:03,400 --> 00:01:05,649 as I heard, it's her first time 23 00:01:05,650 --> 00:01:07,629 on on the chaos events. 24 00:01:07,630 --> 00:01:09,849 And so, yeah, 25 00:01:09,850 --> 00:01:11,109 welcome Alexandra. 26 00:01:15,020 --> 00:01:16,589 I'm nervous. 27 00:01:16,590 --> 00:01:18,899 A couple of minutes to come down because 28 00:01:18,900 --> 00:01:20,959 we know it's a big, big moment for him to 29 00:01:20,960 --> 00:01:23,149 be here. You all have been dreaming about 30 00:01:23,150 --> 00:01:25,279 this for years. I'm very happy you 31 00:01:25,280 --> 00:01:27,319 have opened the space for me and for the 32 00:01:27,320 --> 00:01:29,869 practice that I do, and 33 00:01:29,870 --> 00:01:31,909 I'm talking about it now. 34 00:01:31,910 --> 00:01:34,129 So my name is Alexandra Cardenas. 35 00:01:34,130 --> 00:01:36,919 Thank you, Seahawks, for introducing me. 36 00:01:36,920 --> 00:01:39,949 My hashtags thimbles the algorithm 37 00:01:39,950 --> 00:01:42,109 and I am part of Top Club 38 00:01:42,110 --> 00:01:44,089 Berlin. I will tell you right now it is 39 00:01:44,090 --> 00:01:45,090 news. 40 00:01:45,680 --> 00:01:48,019 I'm a composer of music. 41 00:01:48,020 --> 00:01:50,539 So my training as a musician, 42 00:01:50,540 --> 00:01:53,179 I discovered program programing 43 00:01:53,180 --> 00:01:55,319 around 12 years ago 44 00:01:55,320 --> 00:01:56,359 and quite new. 45 00:01:56,360 --> 00:01:58,519 I feel very, you know, in the world 46 00:01:58,520 --> 00:02:00,559 of programing, but that's now how I make 47 00:02:00,560 --> 00:02:01,909 my music. 48 00:02:01,910 --> 00:02:04,039 So you will hear 49 00:02:04,040 --> 00:02:05,659 most of the things I will talk about will 50 00:02:05,660 --> 00:02:07,939 be from the point of view of a musician. 51 00:02:09,860 --> 00:02:11,989 And thank you very much 52 00:02:11,990 --> 00:02:14,029 again to have me here and open this 53 00:02:14,030 --> 00:02:15,030 space. 54 00:02:16,460 --> 00:02:19,009 OK, so I'm grateful 55 00:02:19,010 --> 00:02:21,259 it's a mix of the words algorithm 56 00:02:21,260 --> 00:02:22,260 and three. 57 00:02:23,120 --> 00:02:25,189 And it started as a joke 58 00:02:25,190 --> 00:02:27,259 this name, but I'll tell you later about 59 00:02:27,260 --> 00:02:29,569 the joke. But it is an event 60 00:02:29,570 --> 00:02:32,149 where people dance to music generated 61 00:02:32,150 --> 00:02:34,549 from algorithms, often 62 00:02:34,550 --> 00:02:36,529 using life coding techniques. 63 00:02:37,790 --> 00:02:39,889 Some of you, I think a lot of 64 00:02:39,890 --> 00:02:42,169 you have heard what life coding is, 65 00:02:42,170 --> 00:02:44,959 but we 66 00:02:44,960 --> 00:02:47,209 we tend to use the word, the word life 67 00:02:47,210 --> 00:02:49,639 coding, referring to performative 68 00:02:49,640 --> 00:02:51,979 arts that are using 69 00:02:51,980 --> 00:02:53,090 coding for it. 70 00:02:54,440 --> 00:02:56,539 So like coding is a technique for 71 00:02:56,540 --> 00:02:59,239 writing or performing music. 72 00:02:59,240 --> 00:03:01,519 The poetry, dance 73 00:03:01,520 --> 00:03:03,679 and pretty much anything in 74 00:03:03,680 --> 00:03:06,139 real time through the engagement 75 00:03:06,140 --> 00:03:08,059 of computer algorithms. 76 00:03:08,060 --> 00:03:10,189 As I said before, I'm a musician, so I 77 00:03:10,190 --> 00:03:12,589 will talk a lot about music 78 00:03:12,590 --> 00:03:13,489 and life coding. 79 00:03:13,490 --> 00:03:15,619 And actually, it was through music 80 00:03:15,620 --> 00:03:17,419 that life coding started. 81 00:03:17,420 --> 00:03:20,809 But now it is a very multi-disciplinary 82 00:03:20,810 --> 00:03:23,029 in the world 83 00:03:23,030 --> 00:03:24,030 and we have 84 00:03:25,550 --> 00:03:28,879 people making literature dancing 85 00:03:28,880 --> 00:03:29,880 because 86 00:03:31,260 --> 00:03:33,409 and it is a performing 87 00:03:33,410 --> 00:03:35,779 art form centered upon 88 00:03:35,780 --> 00:03:37,759 the writing of source code and 89 00:03:37,760 --> 00:03:40,279 interactive programing in an improvised 90 00:03:40,280 --> 00:03:41,280 way. 91 00:03:42,520 --> 00:03:44,769 It is a new research domain 92 00:03:44,770 --> 00:03:46,839 where computer science blends 93 00:03:46,840 --> 00:03:48,129 with the performing arts. 94 00:03:49,910 --> 00:03:52,129 It is also a globally distributed 95 00:03:52,130 --> 00:03:54,469 community that aims to open safe 96 00:03:54,470 --> 00:03:56,839 spaces to create performance 97 00:03:56,840 --> 00:03:59,029 art and shared knowledge in 98 00:03:59,030 --> 00:04:01,789 an inclusive, diverse and transparent 99 00:04:01,790 --> 00:04:02,790 way. 100 00:04:03,260 --> 00:04:05,479 So I want to let 101 00:04:05,480 --> 00:04:07,789 me think about life coding as as many 102 00:04:07,790 --> 00:04:09,919 things now it's not only a technique or a 103 00:04:09,920 --> 00:04:12,109 performing art, it is also 104 00:04:12,110 --> 00:04:14,309 a space for research. 105 00:04:14,310 --> 00:04:17,129 So a very well based in the academy 106 00:04:17,130 --> 00:04:19,309 also but also intended 107 00:04:19,310 --> 00:04:21,588 for independent research, 108 00:04:21,589 --> 00:04:23,209 and it's also a community. 109 00:04:27,280 --> 00:04:29,439 So as life coders 110 00:04:29,440 --> 00:04:31,569 for performing arts, we have 111 00:04:31,570 --> 00:04:33,919 gathered through the years, life 112 00:04:33,920 --> 00:04:36,339 coding in this way has started for 113 00:04:36,340 --> 00:04:38,469 about 20 years 114 00:04:38,470 --> 00:04:40,809 and we have created 115 00:04:40,810 --> 00:04:43,599 a manifesto that you can see here. 116 00:04:43,600 --> 00:04:45,819 This manifesto can be seen in the top 117 00:04:45,820 --> 00:04:46,999 black dot org. 118 00:04:47,000 --> 00:04:49,089 As you can see at the top of the screen, 119 00:04:49,090 --> 00:04:51,609 that's the top lab, which is an anagram 120 00:04:51,610 --> 00:04:54,309 of laptop is the organization 121 00:04:54,310 --> 00:04:56,289 of life coders around the world. 122 00:04:56,290 --> 00:04:58,869 And to give missed the top black website, 123 00:04:58,870 --> 00:05:01,389 you will find not only our manifesto, 124 00:05:01,390 --> 00:05:03,589 but you will find the forums 125 00:05:03,590 --> 00:05:05,679 the chance the nodes that 126 00:05:05,680 --> 00:05:08,169 are in dispersed 127 00:05:08,170 --> 00:05:09,369 around the globe. 128 00:05:09,370 --> 00:05:11,739 I represent black Berlin today, 129 00:05:11,740 --> 00:05:13,809 but you will find in many cities in 130 00:05:13,810 --> 00:05:16,869 Germany, we have in Dusseldorf, Leipzig 131 00:05:16,870 --> 00:05:19,839 in Hamburg, of course, actually 132 00:05:19,840 --> 00:05:22,059 in the angry race, born 133 00:05:22,060 --> 00:05:23,429 in Hamburg. 134 00:05:23,430 --> 00:05:25,599 So and here I 135 00:05:25,600 --> 00:05:28,449 want to tell you a bit about what our 136 00:05:28,450 --> 00:05:29,799 main philosophy is. 137 00:05:29,800 --> 00:05:32,199 Of course, this this is not set 138 00:05:32,200 --> 00:05:34,269 in stone is not like if you 139 00:05:34,270 --> 00:05:36,559 don't feel these rules, it is not. 140 00:05:36,560 --> 00:05:38,739 Life coding actually is 141 00:05:38,740 --> 00:05:40,929 quite flexible, and this is a manifesto 142 00:05:40,930 --> 00:05:43,119 in which we, as life coders, think 143 00:05:43,120 --> 00:05:45,040 about all the time, how to 144 00:05:46,600 --> 00:05:49,119 how to amplify it, how to people 145 00:05:49,120 --> 00:05:51,489 it, to help, to complete it. 146 00:05:51,490 --> 00:05:53,679 So the first and first 147 00:05:53,680 --> 00:05:55,689 point that I want to stress to see is 148 00:05:55,690 --> 00:05:57,999 that we demand access 149 00:05:58,000 --> 00:06:00,399 to the performer's mind. 150 00:06:00,400 --> 00:06:02,589 The whole human is human instrument, 151 00:06:03,730 --> 00:06:05,679 so you will see the life coding is more 152 00:06:05,680 --> 00:06:07,749 about the process more 153 00:06:07,750 --> 00:06:10,059 than the product, which is a very nice 154 00:06:10,060 --> 00:06:12,639 way to see music 155 00:06:12,640 --> 00:06:14,829 from a different point of view from 156 00:06:14,830 --> 00:06:16,209 the music industry. 157 00:06:17,260 --> 00:06:19,329 Because with the music industry, we have 158 00:06:19,330 --> 00:06:21,129 to learn that we have to have products 159 00:06:21,130 --> 00:06:23,769 ready to sell and 160 00:06:23,770 --> 00:06:25,659 with the life coding community, were 161 00:06:25,660 --> 00:06:27,729 trained to go back to 162 00:06:27,730 --> 00:06:30,189 the feeling of creating music and arts 163 00:06:30,190 --> 00:06:32,799 in a communal way in 164 00:06:32,800 --> 00:06:34,689 and we share the process of it. 165 00:06:35,860 --> 00:06:38,259 Obscurantism is dangerous. 166 00:06:38,260 --> 00:06:40,089 Show us your screens. 167 00:06:40,090 --> 00:06:42,039 You will see that light coders love to 168 00:06:42,040 --> 00:06:44,509 share their screens and to show 169 00:06:44,510 --> 00:06:46,749 their errors when they get their using 170 00:06:46,750 --> 00:06:48,099 the code. 171 00:06:48,100 --> 00:06:50,469 We speak with the audience when we ride 172 00:06:50,470 --> 00:06:52,839 to type typing our codes 173 00:06:52,840 --> 00:06:55,029 in program center 174 00:06:55,030 --> 00:06:56,469 and instruments. 175 00:06:56,470 --> 00:06:58,570 But the program used to be transcendent 176 00:07:00,010 --> 00:07:01,010 will. 177 00:07:01,960 --> 00:07:03,849 All these are things that more or less 178 00:07:03,850 --> 00:07:06,279 define our philosophy, 179 00:07:06,280 --> 00:07:08,349 especially about sharing in 180 00:07:08,350 --> 00:07:09,249 the community now. 181 00:07:09,250 --> 00:07:11,499 So I would pretty much ask 182 00:07:11,500 --> 00:07:13,809 you to go to the talk. 183 00:07:13,810 --> 00:07:15,999 And if you're interested in 184 00:07:16,000 --> 00:07:17,919 learning more about life coding and you 185 00:07:17,920 --> 00:07:19,959 can enter in contact with life coders 186 00:07:19,960 --> 00:07:21,759 around the world, and if you want to meet 187 00:07:21,760 --> 00:07:24,279 them physically, you can look forward to 188 00:07:24,280 --> 00:07:26,649 note more close to your city. 189 00:07:27,820 --> 00:07:29,499 Now, I want to show you a little bit an 190 00:07:29,500 --> 00:07:32,289 example of what life coding is. 191 00:07:32,290 --> 00:07:35,049 Shelley Nunn's and Glenn Fraser 192 00:07:35,050 --> 00:07:36,459 They presented this in 193 00:07:37,610 --> 00:07:40,629 Spain earlier this year 194 00:07:40,630 --> 00:07:41,630 and. 195 00:07:43,260 --> 00:07:45,149 You will see that they use the software. 196 00:07:45,150 --> 00:07:46,619 Shelly uses a software called 197 00:07:46,620 --> 00:07:48,839 supercollider, which is very used 198 00:07:48,840 --> 00:07:51,239 in the thing that actually 199 00:07:51,240 --> 00:07:53,369 with the software is that life coding 200 00:07:53,370 --> 00:07:56,339 was born and 201 00:07:56,340 --> 00:07:59,069 well, let's see it in. 202 00:07:59,070 --> 00:08:01,049 Glen Fraser uses a software that he 203 00:08:01,050 --> 00:08:03,159 created for for coding the 204 00:08:03,160 --> 00:08:04,409 shaders in real time. 205 00:08:04,410 --> 00:08:05,969 So I'm going to play a little bit of the 206 00:08:05,970 --> 00:08:07,769 video and maybe we'll just keep some 207 00:08:07,770 --> 00:08:10,019 parts because in the 40 minutes we do. 208 00:08:10,020 --> 00:08:11,999 But I want to show you at least three or 209 00:08:12,000 --> 00:08:13,000 four minutes of it. 210 00:08:28,660 --> 00:08:29,660 So 211 00:08:34,580 --> 00:08:35,580 this. 212 00:09:03,610 --> 00:09:06,249 Which, of 213 00:09:06,250 --> 00:09:07,250 course, is the 214 00:09:10,480 --> 00:09:11,480 battle 215 00:09:15,690 --> 00:09:16,690 for 216 00:09:20,080 --> 00:09:21,460 the future. 217 00:09:58,750 --> 00:09:59,750 And. 218 00:11:00,910 --> 00:11:01,959 All right. 219 00:11:01,960 --> 00:11:05,139 Thank you for listening in 220 00:11:05,140 --> 00:11:06,039 this performance. 221 00:11:06,040 --> 00:11:08,199 I find it very special and you can find 222 00:11:08,200 --> 00:11:10,409 it in on YouTube 223 00:11:11,770 --> 00:11:14,289 to let you know the end of it 224 00:11:14,290 --> 00:11:15,340 where you can find it. 225 00:11:17,550 --> 00:11:19,949 And I want to come back to. 226 00:11:19,950 --> 00:11:22,259 Sorry, going 227 00:11:22,260 --> 00:11:23,519 on the screen. 228 00:11:23,520 --> 00:11:24,520 It's a business 229 00:11:25,680 --> 00:11:26,669 and very well. 230 00:11:26,670 --> 00:11:27,670 Yeah. 231 00:11:28,350 --> 00:11:29,580 All right. So. 232 00:11:32,750 --> 00:11:34,100 Yes, like coders. 233 00:11:39,350 --> 00:11:40,350 Here it comes. 234 00:11:41,840 --> 00:11:43,909 So McCain is a couple of minutes 235 00:11:43,910 --> 00:11:46,129 of it, but I wonder if you can 236 00:11:46,130 --> 00:11:48,439 see a bit to what I will talk about 237 00:11:48,440 --> 00:11:51,289 reflected in the video we saw before 238 00:11:51,290 --> 00:11:53,419 let coders create different genres of 239 00:11:53,420 --> 00:11:54,439 music. 240 00:11:54,440 --> 00:11:56,569 So own music 241 00:11:56,570 --> 00:11:58,519 that is subject to be described as 242 00:11:58,520 --> 00:12:00,679 patterns of sound can be life 243 00:12:00,680 --> 00:12:02,899 coded and as a musician. 244 00:12:02,900 --> 00:12:04,999 Well, I can my opinion 245 00:12:05,000 --> 00:12:06,649 opinions that every music can be 246 00:12:06,650 --> 00:12:10,009 described as patterns algorithmically. 247 00:12:10,010 --> 00:12:12,139 So it's not only 248 00:12:12,140 --> 00:12:14,749 that we do techno music or 249 00:12:14,750 --> 00:12:17,209 abstract electronic music, we can really 250 00:12:17,210 --> 00:12:19,429 let go all kinds of music. 251 00:12:19,430 --> 00:12:21,949 And of course, all types of 252 00:12:21,950 --> 00:12:24,229 visuals let coders 253 00:12:24,230 --> 00:12:26,149 deal with written language for the 254 00:12:26,150 --> 00:12:28,439 description of music and visuals, and 255 00:12:28,440 --> 00:12:30,679 this includes 256 00:12:30,680 --> 00:12:32,510 a new interface for a musician. 257 00:12:33,800 --> 00:12:35,939 In my case, it opened completely 258 00:12:35,940 --> 00:12:38,839 a new world of possibilities. 259 00:12:38,840 --> 00:12:39,840 When I'm not, 260 00:12:41,310 --> 00:12:43,549 I'm not attached to the 261 00:12:43,550 --> 00:12:45,689 physical instrument, to the 262 00:12:45,690 --> 00:12:47,149 response one to one. 263 00:12:47,150 --> 00:12:48,889 Like, for instance, I was a classical 264 00:12:48,890 --> 00:12:50,959 guitarist that I had when I pulled 265 00:12:50,960 --> 00:12:53,569 the screen and I heard one sound. 266 00:12:53,570 --> 00:12:56,509 Here I press a key and I can have 267 00:12:56,510 --> 00:12:58,609 infinite sounds, infinite 268 00:12:58,610 --> 00:13:01,159 possibilities, infinite processes 269 00:13:01,160 --> 00:13:03,499 and also coming and 270 00:13:03,500 --> 00:13:05,959 touching in the digitalization 271 00:13:05,960 --> 00:13:08,359 of music and the use of doors. 272 00:13:08,360 --> 00:13:11,329 For instance, digital work 273 00:13:11,330 --> 00:13:13,069 stations. 274 00:13:13,070 --> 00:13:15,229 Usually you have them in 275 00:13:15,230 --> 00:13:17,839 commercial software, you have buttons 276 00:13:17,840 --> 00:13:19,009 and flashes and 277 00:13:20,180 --> 00:13:22,279 faders and things that 278 00:13:22,280 --> 00:13:24,319 look like an amplifier. 279 00:13:24,320 --> 00:13:26,959 Instead, when we're talking about code, 280 00:13:26,960 --> 00:13:29,629 we describe things with words 281 00:13:29,630 --> 00:13:31,999 and with a language that the machine 282 00:13:32,000 --> 00:13:33,529 and the human understand. 283 00:13:33,530 --> 00:13:35,989 So it's already a different 284 00:13:35,990 --> 00:13:38,539 thing now, and we like to improvise 285 00:13:38,540 --> 00:13:39,949 like coders improvise. 286 00:13:39,950 --> 00:13:42,079 We find the joy in 287 00:13:42,080 --> 00:13:44,719 dealing with the unexpected 288 00:13:44,720 --> 00:13:46,819 and seeing what errors do we 289 00:13:46,820 --> 00:13:49,189 get? How is the response of the audience 290 00:13:49,190 --> 00:13:51,439 to that affect us? 291 00:13:51,440 --> 00:13:53,809 Allowed to say improvization 292 00:13:53,810 --> 00:13:55,999 is a big part of the life 293 00:13:56,000 --> 00:13:58,009 coding practice. 294 00:13:58,010 --> 00:14:00,499 Let coders right through right 295 00:14:00,500 --> 00:14:02,689 and manipulate in real time 296 00:14:02,690 --> 00:14:05,839 a system that system that creates music. 297 00:14:05,840 --> 00:14:07,999 Still, life coders are the composers 298 00:14:08,000 --> 00:14:08,929 of the music. 299 00:14:08,930 --> 00:14:11,209 The software becomes a composition 300 00:14:11,210 --> 00:14:13,070 and the piece of art itself. 301 00:14:14,360 --> 00:14:16,699 So of course, when when we started seeing 302 00:14:16,700 --> 00:14:18,979 the computer as a musical instrument, 303 00:14:18,980 --> 00:14:21,289 as a new musical instrument, and then 304 00:14:21,290 --> 00:14:23,599 we have some artists 305 00:14:23,600 --> 00:14:25,669 that basically press 306 00:14:25,670 --> 00:14:28,219 play in the computer, and 307 00:14:28,220 --> 00:14:30,499 a lot of people think that, well, 308 00:14:30,500 --> 00:14:32,539 if the computer is doing the music music, 309 00:14:32,540 --> 00:14:34,309 you're not the composer. 310 00:14:34,310 --> 00:14:37,079 And this is a very divisive 311 00:14:37,080 --> 00:14:39,139 thing. And this is a point that we have 312 00:14:39,140 --> 00:14:41,329 a lot of discussion how life is really 313 00:14:41,330 --> 00:14:43,750 like coding in, 314 00:14:44,930 --> 00:14:45,930 but 315 00:14:47,600 --> 00:14:50,659 we are composing the music in real time. 316 00:14:50,660 --> 00:14:52,819 And then if you are writing the software, 317 00:14:52,820 --> 00:14:55,099 if you are, if you are skilled enough 318 00:14:55,100 --> 00:14:57,829 to write your own software in 319 00:14:57,830 --> 00:15:00,289 the software becomes the composition 320 00:15:00,290 --> 00:15:01,999 and the piece of art itself. 321 00:15:04,060 --> 00:15:05,769 And to keep in mind is that we are 322 00:15:05,770 --> 00:15:07,899 performing generative art 323 00:15:07,900 --> 00:15:09,429 in real time. 324 00:15:09,430 --> 00:15:11,559 So that's another it brings 325 00:15:11,560 --> 00:15:13,779 us other ways to think about other 326 00:15:13,780 --> 00:15:15,909 ways to think about time to 327 00:15:15,910 --> 00:15:18,099 think about, to control, how 328 00:15:18,100 --> 00:15:19,539 much control do we have in our 329 00:15:19,540 --> 00:15:20,540 performance? 330 00:15:21,610 --> 00:15:23,379 So we deal with algorithms doing the 331 00:15:23,380 --> 00:15:25,629 performance change, simply 332 00:15:25,630 --> 00:15:28,119 deleting them, writing new ones. 333 00:15:28,120 --> 00:15:30,579 Sometimes we even write them from 334 00:15:30,580 --> 00:15:31,580 from scratch. 335 00:15:32,590 --> 00:15:34,809 And the important thing is that 336 00:15:34,810 --> 00:15:37,259 we focus on open source, free and liberal 337 00:15:37,260 --> 00:15:39,889 software, and we 338 00:15:39,890 --> 00:15:41,709 the hacker philosophy is a big part of 339 00:15:41,710 --> 00:15:44,129 our overall philosophy. 340 00:15:44,130 --> 00:15:45,790 So we have a lot of things in common 341 00:15:46,900 --> 00:15:49,329 let coders spread their software 342 00:15:49,330 --> 00:15:51,639 or contribute to the development 343 00:15:51,640 --> 00:15:53,919 of existing 16 software 344 00:15:53,920 --> 00:15:54,939 or not. 345 00:15:54,940 --> 00:15:57,039 Like, I feel, I have 346 00:15:57,040 --> 00:15:59,439 contributed to certain software 347 00:15:59,440 --> 00:16:02,379 with ideas like I'm in session 348 00:16:02,380 --> 00:16:04,089 from the point of view of a musician. 349 00:16:04,090 --> 00:16:06,459 I would like to do that. 350 00:16:06,460 --> 00:16:07,959 But even though I don't have the 351 00:16:07,960 --> 00:16:10,449 programing skills to yet to 352 00:16:10,450 --> 00:16:12,579 to to 353 00:16:12,580 --> 00:16:14,709 help with the development or create my 354 00:16:14,710 --> 00:16:16,809 own software, and it 355 00:16:16,810 --> 00:16:18,909 doesn't mean that you're not contributing 356 00:16:18,910 --> 00:16:21,099 in any way we 357 00:16:21,100 --> 00:16:23,619 meet online and physically 358 00:16:23,620 --> 00:16:25,209 whenever possible. 359 00:16:25,210 --> 00:16:27,279 But it's true that we have been meeting 360 00:16:27,280 --> 00:16:30,369 online since the beginning, so 361 00:16:30,370 --> 00:16:32,649 we have created a global distributed 362 00:16:32,650 --> 00:16:33,579 community. 363 00:16:33,580 --> 00:16:35,799 Most of my lot of funds don't meet 364 00:16:35,800 --> 00:16:38,110 in person yet, but 365 00:16:39,310 --> 00:16:41,979 so actually when the pandemic occurred, 366 00:16:41,980 --> 00:16:44,109 we were already well connected on 367 00:16:44,110 --> 00:16:46,209 the internet and we started getting 368 00:16:46,210 --> 00:16:48,309 concerts and even more than 369 00:16:48,310 --> 00:16:49,809 before online. 370 00:16:51,040 --> 00:16:52,599 And as it told you before, we'd like to 371 00:16:52,600 --> 00:16:53,650 show our screens. 372 00:16:55,120 --> 00:16:57,549 So now that we know what the live coding 373 00:16:57,550 --> 00:16:59,949 is, we can talk again. 374 00:16:59,950 --> 00:17:02,379 What these dangerous 375 00:17:02,380 --> 00:17:04,899 algorithms is movement inside 376 00:17:04,900 --> 00:17:07,118 the life coding community, which aims 377 00:17:07,119 --> 00:17:09,789 to create a rave in which the music 378 00:17:09,790 --> 00:17:11,949 and visuals are made in real time 379 00:17:11,950 --> 00:17:12,950 with the algorithm. 380 00:17:16,060 --> 00:17:18,159 The general idea is to create a 381 00:17:18,160 --> 00:17:20,739 communal space of abandon, 382 00:17:20,740 --> 00:17:22,899 much like a race in which the 383 00:17:22,900 --> 00:17:24,999 focus goes significantly 384 00:17:25,000 --> 00:17:27,309 into the process of creation of music 385 00:17:27,310 --> 00:17:29,439 and visions which are being 386 00:17:29,440 --> 00:17:30,819 shared on the screens. 387 00:17:31,900 --> 00:17:34,179 And also, like someone in Japan, 388 00:17:34,180 --> 00:17:36,309 recently developed a system in 389 00:17:36,310 --> 00:17:38,379 which we can manage this light 390 00:17:38,380 --> 00:17:40,989 go to stage management and life called 391 00:17:40,990 --> 00:17:42,369 the lights, for instance. 392 00:17:42,370 --> 00:17:44,049 That's something that we have been very 393 00:17:44,050 --> 00:17:45,050 interested in. 394 00:17:46,920 --> 00:17:49,019 And Algore, as I mentioned before, 395 00:17:49,020 --> 00:17:51,359 from algorithm and Frame is an event 396 00:17:51,360 --> 00:17:53,459 where people dance to music generated 397 00:17:53,460 --> 00:17:55,619 from algorithms, often using less 398 00:17:55,620 --> 00:17:57,329 coding techniques. 399 00:17:57,330 --> 00:17:59,429 Alex McLean, it's a name you will 400 00:17:59,430 --> 00:18:01,529 hear a lot because he's one 401 00:18:01,530 --> 00:18:04,679 of the creators of the whole movement, 402 00:18:04,680 --> 00:18:06,839 and he wrote the software that is 403 00:18:06,840 --> 00:18:08,939 most used in this 404 00:18:08,940 --> 00:18:11,189 moment for making 405 00:18:11,190 --> 00:18:13,259 music life call music, which is 406 00:18:13,260 --> 00:18:15,239 called tidal cycles. 407 00:18:16,960 --> 00:18:19,379 And Nick Collins, a composer, 408 00:18:19,380 --> 00:18:21,959 both of them are from the UK, 409 00:18:21,960 --> 00:18:25,109 coined the world agreed in 2011, 410 00:18:25,110 --> 00:18:27,329 and the first ever event under 411 00:18:27,330 --> 00:18:29,579 such a name was organized in London 412 00:18:29,580 --> 00:18:31,229 in 2012. 413 00:18:31,230 --> 00:18:33,569 It has since become a movement 414 00:18:33,570 --> 00:18:35,699 with anger raves taking place around the 415 00:18:35,700 --> 00:18:36,700 world. 416 00:18:39,430 --> 00:18:41,769 I wanted to mention before 417 00:18:41,770 --> 00:18:43,150 the next light that 418 00:18:46,090 --> 00:18:48,039 the name Mulgrave came from a joke 419 00:18:48,040 --> 00:18:49,569 because they were already doing life 420 00:18:49,570 --> 00:18:50,589 coding and. 421 00:18:51,910 --> 00:18:54,099 And Alex McLean 422 00:18:54,100 --> 00:18:56,349 and Nicole Nicholas Collins the 423 00:18:56,350 --> 00:18:58,509 day they were 424 00:18:58,510 --> 00:19:00,520 traveling and they decided to 425 00:19:01,600 --> 00:19:03,669 do. They say, What about 426 00:19:03,670 --> 00:19:04,689 if we did? Let's go. 427 00:19:04,690 --> 00:19:06,429 But with beads? 428 00:19:06,430 --> 00:19:06,719 Yeah. 429 00:19:06,720 --> 00:19:08,679 Would be like an array of like an antique 430 00:19:08,680 --> 00:19:10,809 rhythmic we. So it started 431 00:19:10,810 --> 00:19:12,909 as a joke, but now is a big movement 432 00:19:12,910 --> 00:19:13,910 around the world. 433 00:19:15,100 --> 00:19:17,079 OK, as I mentioned before, own graves can 434 00:19:17,080 --> 00:19:18,519 include a range of styles, 435 00:19:19,630 --> 00:19:21,579 including a complex form of minimal 436 00:19:21,580 --> 00:19:23,709 techno, and the movement has been 437 00:19:23,710 --> 00:19:25,719 described as a meeting point of hacker 438 00:19:25,720 --> 00:19:27,879 philosophy, geek culture and 439 00:19:27,880 --> 00:19:28,880 clothing. 440 00:19:29,650 --> 00:19:31,899 And although life 441 00:19:31,900 --> 00:19:34,119 coding is commonplace, any algorithmic 442 00:19:34,120 --> 00:19:35,200 music is welcome. 443 00:19:36,930 --> 00:19:37,930 And 444 00:19:40,500 --> 00:19:42,779 although angry, angry musicians have 445 00:19:42,780 --> 00:19:45,179 been compared to two deejays, 446 00:19:45,180 --> 00:19:47,489 they are in fact life musicians 447 00:19:47,490 --> 00:19:49,859 or improvisers creating music 448 00:19:49,860 --> 00:19:52,049 life, usually by writing 449 00:19:52,050 --> 00:19:54,119 or modifying code rather 450 00:19:54,120 --> 00:19:56,399 than mixing recorded music. 451 00:19:56,400 --> 00:19:58,559 So it has been a bit of 452 00:19:58,560 --> 00:20:00,689 a, well, this is a deejay or 453 00:20:00,690 --> 00:20:03,089 not. And of course, we can do 454 00:20:03,090 --> 00:20:05,099 deejays. That's life. 455 00:20:05,100 --> 00:20:07,379 Did you sense much as 456 00:20:07,380 --> 00:20:09,899 the same deejay can do life sets 457 00:20:09,900 --> 00:20:12,689 making their own music and also 458 00:20:12,690 --> 00:20:14,279 the difference, mostly since we're 459 00:20:14,280 --> 00:20:15,280 dealing with the code? 460 00:20:16,710 --> 00:20:18,059 And how did it start? 461 00:20:18,060 --> 00:20:20,159 So SuperCollider, as 462 00:20:20,160 --> 00:20:22,169 I mentioned before, was the software that 463 00:20:22,170 --> 00:20:24,079 started everything it. 464 00:20:26,820 --> 00:20:29,929 And they supercollider had symposiums 465 00:20:29,930 --> 00:20:32,179 many, many years, and in 466 00:20:32,180 --> 00:20:34,489 2012 they made the first 467 00:20:34,490 --> 00:20:35,749 and grave. 468 00:20:35,750 --> 00:20:37,879 I joined in next year, the next 469 00:20:37,880 --> 00:20:40,069 year, in 2013, when I was 470 00:20:40,070 --> 00:20:42,619 in Mexico City, because after 471 00:20:42,620 --> 00:20:44,779 the UK, Mexico was 472 00:20:44,780 --> 00:20:47,359 a place with this practice hit 473 00:20:47,360 --> 00:20:48,469 really, really hard. 474 00:20:48,470 --> 00:20:50,839 And now we have a very, very vibrant 475 00:20:50,840 --> 00:20:52,939 scene. Mexico, I was living in Mexico 476 00:20:52,940 --> 00:20:54,859 at the time, though I am originally from 477 00:20:54,860 --> 00:20:57,049 Colombia and now it 478 00:20:57,050 --> 00:20:58,609 is really everywhere. 479 00:20:59,670 --> 00:21:01,410 Because in 480 00:21:03,090 --> 00:21:05,609 the first seven, self-proclaimed angering 481 00:21:05,610 --> 00:21:06,779 was held in London, 482 00:21:08,430 --> 00:21:10,619 and Hungary has 483 00:21:10,620 --> 00:21:12,479 been growing into an international 484 00:21:12,480 --> 00:21:14,279 movement with anger raves having held 485 00:21:14,280 --> 00:21:17,549 physically in Europe, Asia and America, 486 00:21:17,550 --> 00:21:19,829 and global online anger 487 00:21:19,830 --> 00:21:22,199 and grievance with angry voters from 488 00:21:22,200 --> 00:21:23,639 all over the world. 489 00:21:23,640 --> 00:21:26,279 So imagine to see the fate of the angry. 490 00:21:26,280 --> 00:21:27,329 You will find their 491 00:21:28,470 --> 00:21:31,859 links to social media artists. 492 00:21:31,860 --> 00:21:33,419 One thing the WhatsApp. 493 00:21:33,420 --> 00:21:36,269 Please follow us on Instagram Twitter 494 00:21:36,270 --> 00:21:37,270 A. 495 00:21:37,710 --> 00:21:40,079 Our aim is to be 496 00:21:40,080 --> 00:21:43,049 quiet, to share and share our knowledge, 497 00:21:43,050 --> 00:21:45,119 and we have a code of 498 00:21:45,120 --> 00:21:47,399 conduct in which we 499 00:21:47,400 --> 00:21:49,619 we try to separate 500 00:21:49,620 --> 00:21:51,749 from the usual 501 00:21:51,750 --> 00:21:53,970 tech communities 502 00:21:55,350 --> 00:21:57,959 that are not welcoming to women 503 00:21:57,960 --> 00:21:59,909 or to people who are not experts. 504 00:21:59,910 --> 00:22:02,339 And so if you are just 505 00:22:02,340 --> 00:22:05,729 considering to enter fantasy, 506 00:22:05,730 --> 00:22:07,829 be confident that we will be treated 507 00:22:07,830 --> 00:22:10,079 with respect and you will be welcome 508 00:22:10,080 --> 00:22:12,449 and we will leave you all the information 509 00:22:12,450 --> 00:22:14,339 you need to join the community. 510 00:22:15,930 --> 00:22:18,419 We have instead of building a room, 511 00:22:18,420 --> 00:22:20,639 we have our own channel called 512 00:22:20,640 --> 00:22:23,819 in the room because of the mathematician. 513 00:22:23,820 --> 00:22:26,009 And it is in YouTube 514 00:22:26,010 --> 00:22:27,010 and you will find 515 00:22:28,260 --> 00:22:30,419 hundreds of hours of 516 00:22:30,420 --> 00:22:33,089 both performances from around the world 517 00:22:33,090 --> 00:22:35,309 from different points we make. 518 00:22:35,310 --> 00:22:37,529 So if you look for in the room on 519 00:22:37,530 --> 00:22:40,229 YouTube, you will find 520 00:22:40,230 --> 00:22:42,819 a lot of beautiful material. 521 00:22:42,820 --> 00:22:44,879 And now I just want to talk 522 00:22:44,880 --> 00:22:45,880 a bit about. 523 00:22:47,290 --> 00:22:49,369 Then I'll go after 524 00:22:49,370 --> 00:22:52,689 a few years, and 525 00:22:52,690 --> 00:22:55,569 it is a project and 526 00:22:55,570 --> 00:22:58,179 not necessarily from the algorithm. 527 00:22:58,180 --> 00:23:00,369 I just wanted to let 528 00:23:00,370 --> 00:23:02,009 you know a big town. 529 00:23:03,160 --> 00:23:05,439 We are making a big effort 530 00:23:05,440 --> 00:23:07,659 to become inclusive to 531 00:23:07,660 --> 00:23:09,819 welcome women, 532 00:23:09,820 --> 00:23:12,069 people who suffer 533 00:23:12,070 --> 00:23:14,170 racism and 534 00:23:15,280 --> 00:23:17,379 with people with disabilities 535 00:23:17,380 --> 00:23:20,649 like we are opening our 536 00:23:20,650 --> 00:23:22,749 our community, our knowledge 537 00:23:22,750 --> 00:23:24,880 to them, to other 538 00:23:26,740 --> 00:23:28,509 other people that are not usually the 539 00:23:28,510 --> 00:23:30,819 white man you see making 540 00:23:30,820 --> 00:23:32,589 electronic music. 541 00:23:32,590 --> 00:23:34,659 And so there's so much 542 00:23:34,660 --> 00:23:36,339 to see in them. 543 00:23:36,340 --> 00:23:38,529 And in that 544 00:23:38,530 --> 00:23:40,719 room, as I mentioned about one 545 00:23:40,720 --> 00:23:43,089 example I want to give you, is 546 00:23:43,090 --> 00:23:45,729 that this angle Afrofuturism 547 00:23:45,730 --> 00:23:48,039 made by Antonia Roberts? 548 00:23:50,770 --> 00:23:52,929 I didn't mean to do this, I can do things 549 00:23:52,930 --> 00:23:53,930 for him, you know? 550 00:23:55,890 --> 00:23:58,449 And Anthony, a rubber 551 00:23:58,450 --> 00:23:59,639 snake. 552 00:23:59,640 --> 00:24:01,739 He started making visions, but now 553 00:24:01,740 --> 00:24:02,910 he's doing music, too, 554 00:24:04,170 --> 00:24:05,170 and 555 00:24:06,690 --> 00:24:08,339 which is something that characterizes a 556 00:24:08,340 --> 00:24:10,439 lot. Our community like, for instance, 557 00:24:10,440 --> 00:24:12,419 I have to make music all my life. 558 00:24:12,420 --> 00:24:14,609 And very recently, I have started doing 559 00:24:14,610 --> 00:24:17,879 visuals in programmers 560 00:24:17,880 --> 00:24:20,069 who want to start doing music. 561 00:24:20,070 --> 00:24:21,089 They can do it. 562 00:24:21,090 --> 00:24:23,009 Musicians who want to learn programing, 563 00:24:23,010 --> 00:24:25,079 they can do it in 564 00:24:25,080 --> 00:24:27,779 life. Coding has been also 565 00:24:27,780 --> 00:24:29,969 been implemented in some schools and 566 00:24:29,970 --> 00:24:32,099 universities already in Europe, 567 00:24:32,100 --> 00:24:34,619 and me myself personally, 568 00:24:34,620 --> 00:24:37,109 I have given a lot of workshops 569 00:24:37,110 --> 00:24:39,749 to different kinds of persons 570 00:24:39,750 --> 00:24:41,939 not all the musicians, not 571 00:24:41,940 --> 00:24:45,389 only in coders, 572 00:24:45,390 --> 00:24:47,759 but kids who are deciding 573 00:24:47,760 --> 00:24:50,159 what to do, what is what they like 574 00:24:50,160 --> 00:24:52,769 and like. Coding is a great way 575 00:24:52,770 --> 00:24:55,229 to introduce people to 576 00:24:55,230 --> 00:24:57,299 music and to programing to 577 00:24:57,300 --> 00:24:59,429 arts and computer science. 578 00:24:59,430 --> 00:25:01,649 So it's a beautiful meeting point. 579 00:25:01,650 --> 00:25:03,989 It's a melting pot of ideas 580 00:25:03,990 --> 00:25:04,990 of disciplines. 581 00:25:06,630 --> 00:25:08,909 And so if 582 00:25:08,910 --> 00:25:11,219 you want to to start doing music, 583 00:25:11,220 --> 00:25:14,009 this is a great, great way to do it. 584 00:25:14,010 --> 00:25:16,139 Or if you want to start programing. 585 00:25:16,140 --> 00:25:19,109 Please take a look at what we're doing. 586 00:25:19,110 --> 00:25:21,449 This is in an 587 00:25:21,450 --> 00:25:23,609 effort that Antonio Roberts 588 00:25:23,610 --> 00:25:25,170 and Alex MacLean 589 00:25:26,430 --> 00:25:28,619 made in 590 00:25:28,620 --> 00:25:29,620 Birmingham, 591 00:25:30,810 --> 00:25:33,629 in which they mentored 592 00:25:33,630 --> 00:25:36,089 four black artists 593 00:25:36,090 --> 00:25:37,529 into life coding. 594 00:25:37,530 --> 00:25:39,569 So I want to see a little bit. 595 00:25:40,690 --> 00:25:41,690 Of the results. 596 00:25:47,060 --> 00:25:49,419 Is horribly and life coding is 597 00:25:49,420 --> 00:25:51,009 is basically people making music and 598 00:25:51,010 --> 00:25:52,809 visuals, using programing, using 599 00:25:52,810 --> 00:25:53,889 algorithms. 600 00:25:53,890 --> 00:25:55,449 There's various software that we use for 601 00:25:55,450 --> 00:25:57,789 this and and yeah, I've 602 00:25:57,790 --> 00:26:00,099 enjoyed doing that for a very long time. 603 00:26:00,100 --> 00:26:02,229 But one thing that myself 604 00:26:02,230 --> 00:26:04,269 and addicts have noticed is that while 605 00:26:04,270 --> 00:26:06,249 it's algorithms and light coding, the 606 00:26:06,250 --> 00:26:07,599 scene in the community is very good at 607 00:26:07,600 --> 00:26:09,789 addressing gender issues 608 00:26:09,790 --> 00:26:11,889 and making sure that then all of 609 00:26:11,890 --> 00:26:14,049 the events are very gender balance. 610 00:26:14,050 --> 00:26:16,749 It's not so good at tackling 611 00:26:16,750 --> 00:26:18,969 diversity issues of race and 612 00:26:18,970 --> 00:26:19,929 ethnicity. 613 00:26:19,930 --> 00:26:21,079 And so. 614 00:26:24,130 --> 00:26:26,329 So they may have seen it, but just 615 00:26:26,330 --> 00:26:27,330 not. 616 00:27:22,990 --> 00:27:23,990 Oh 617 00:27:25,250 --> 00:27:28,319 oh, oh, oh, 618 00:27:28,320 --> 00:27:31,539 oh, oh, 619 00:27:31,540 --> 00:27:33,589 oh oh 620 00:27:35,700 --> 00:27:36,700 oh 621 00:27:39,520 --> 00:27:40,520 oh 622 00:27:43,280 --> 00:27:44,280 oh 623 00:27:46,460 --> 00:27:47,460 oh 624 00:27:48,900 --> 00:27:50,579 oh oh 625 00:27:52,200 --> 00:27:54,419 oh oh 626 00:27:54,420 --> 00:27:56,959 oh oh oh 627 00:27:56,960 --> 00:27:58,689 oh oh 628 00:27:59,940 --> 00:28:00,940 oh. 629 00:28:02,230 --> 00:28:04,059 I'm going to show you now another artist 630 00:28:04,060 --> 00:28:05,060 of it. 631 00:28:05,530 --> 00:28:08,019 You're very welcome to see this video in 632 00:28:08,020 --> 00:28:09,020 our channel. 633 00:29:37,950 --> 00:29:40,079 Well, as we don't have much time, I 634 00:29:40,080 --> 00:29:42,359 would go further with another artist from 635 00:29:42,360 --> 00:29:44,700 this of Francesco. 636 00:30:07,750 --> 00:30:08,750 More. 637 00:30:31,810 --> 00:30:32,810 You. 638 00:30:50,250 --> 00:30:52,440 Okay, my time is running out, 639 00:30:53,640 --> 00:30:55,799 so I will go to another 640 00:30:55,800 --> 00:30:57,299 examples I have for you 641 00:30:58,350 --> 00:31:00,689 in this this video, 642 00:31:00,690 --> 00:31:02,229 this can be pretty much part of the 643 00:31:02,230 --> 00:31:03,389 allegory. 644 00:31:03,390 --> 00:31:05,369 It's not that we need to make dance and 645 00:31:05,370 --> 00:31:06,659 music from Mangrove. 646 00:31:06,660 --> 00:31:08,759 You will find sometimes very roots 647 00:31:08,760 --> 00:31:11,309 music, a very 648 00:31:11,310 --> 00:31:13,739 music that is noisy and 649 00:31:13,740 --> 00:31:15,809 sometimes it has nothing to do 650 00:31:15,810 --> 00:31:19,379 with what we know commercially. 651 00:31:19,380 --> 00:31:21,510 Like dance, music is not like 652 00:31:23,010 --> 00:31:24,809 techno that is going to make you 653 00:31:24,810 --> 00:31:27,839 sometimes is very weird and sometimes. 654 00:31:27,840 --> 00:31:30,449 But that's that's the joy of, you know, 655 00:31:30,450 --> 00:31:32,669 that is so, so 656 00:31:32,670 --> 00:31:34,769 unique. The Agari, 657 00:31:34,770 --> 00:31:37,019 this one, this is a very 658 00:31:37,020 --> 00:31:38,279 much younger set. 659 00:31:38,280 --> 00:31:40,799 This is Russell Mead from Columbia. 660 00:31:40,800 --> 00:31:42,780 He uses a lot of 661 00:31:44,040 --> 00:31:46,109 Colombian 662 00:31:46,110 --> 00:31:48,269 popular and traditional music, 663 00:31:48,270 --> 00:31:49,270 and he. 664 00:31:56,890 --> 00:31:59,380 The veins of Latin America. 665 00:32:03,430 --> 00:32:04,430 How 666 00:32:07,000 --> 00:32:08,000 do 667 00:32:10,440 --> 00:32:11,440 you 668 00:32:13,540 --> 00:32:15,829 feel about that? 669 00:32:15,830 --> 00:32:16,830 Oh 670 00:32:18,900 --> 00:32:20,660 oh, oh, 671 00:32:21,820 --> 00:32:22,820 oh 672 00:32:24,240 --> 00:32:25,240 oh, 673 00:32:27,540 --> 00:32:29,450 oh oh 674 00:32:31,320 --> 00:32:33,479 oh oh 675 00:32:37,430 --> 00:32:38,430 oh 676 00:32:48,160 --> 00:32:49,160 oh 677 00:32:52,850 --> 00:32:53,850 oh. 678 00:33:22,470 --> 00:33:23,470 Chop, 679 00:33:32,710 --> 00:33:33,710 chop, 680 00:33:35,160 --> 00:33:36,160 chop. 681 00:33:52,850 --> 00:33:55,489 Tonight, we will have an engraving 682 00:33:55,490 --> 00:33:56,749 return to reality. 683 00:33:57,890 --> 00:33:59,929 And you are invited. 684 00:33:59,930 --> 00:34:02,209 We will have a link for it in our 685 00:34:02,210 --> 00:34:03,649 assembly. 686 00:34:03,650 --> 00:34:06,019 Our assembly is called Top Club 687 00:34:06,020 --> 00:34:07,489 Berlin. 688 00:34:07,490 --> 00:34:08,959 And please come. 689 00:34:08,960 --> 00:34:11,749 We will start. Our party are seven 690 00:34:11,750 --> 00:34:14,238 30 pm Berlin time 691 00:34:14,239 --> 00:34:16,158 and you will be able to see it left a bit 692 00:34:16,159 --> 00:34:18,019 playing live from Colombia. 693 00:34:18,020 --> 00:34:20,448 And you will see also artists from Italy, 694 00:34:20,449 --> 00:34:23,419 Germany, the UK, Argentina, 695 00:34:23,420 --> 00:34:25,609 Colombia, USA 696 00:34:25,610 --> 00:34:28,009 and we will keep the virtual reality 697 00:34:28,010 --> 00:34:30,138 hub open so you can visit 698 00:34:30,139 --> 00:34:32,388 us until until the end 699 00:34:32,389 --> 00:34:33,468 of the Congress. 700 00:34:33,469 --> 00:34:35,988 We will be there and 701 00:34:35,989 --> 00:34:38,388 I want to mention Alex McClean. 702 00:34:38,389 --> 00:34:40,908 He's the one who wrote 703 00:34:40,909 --> 00:34:43,039 tidal cycles the software and we have 704 00:34:43,040 --> 00:34:45,829 seen in the last videos being used. 705 00:34:45,830 --> 00:34:47,988 It is written in Haskell, so it's a 706 00:34:47,989 --> 00:34:50,089 very nice way to do music in a 707 00:34:50,090 --> 00:34:52,039 functional programing language. 708 00:34:52,040 --> 00:34:54,379 I want to show you a bit of this 709 00:34:54,380 --> 00:34:56,718 performance that I love him made in 710 00:34:56,719 --> 00:34:59,149 Tokyo some years ago in 711 00:34:59,150 --> 00:35:00,529 2018. 712 00:35:00,530 --> 00:35:02,809 So you can see how he 713 00:35:02,810 --> 00:35:05,839 uses code and, 714 00:35:05,840 --> 00:35:07,999 yeah, some minutes of 715 00:35:08,000 --> 00:35:09,000 his nice performance. 716 00:35:29,680 --> 00:35:30,680 And. 717 00:36:00,120 --> 00:36:01,120 Per 718 00:36:03,840 --> 00:36:04,840 person 719 00:36:07,580 --> 00:36:08,580 per 720 00:36:11,290 --> 00:36:13,610 person per year, 721 00:36:16,150 --> 00:36:17,199 after year, 722 00:36:19,990 --> 00:36:20,990 after year, 723 00:36:22,480 --> 00:36:23,480 after year 724 00:36:26,050 --> 00:36:27,530 after year. 725 00:36:29,850 --> 00:36:31,400 To prepare for 726 00:36:33,580 --> 00:36:35,049 that purpose, for 727 00:36:37,300 --> 00:36:38,399 that purpose, 728 00:36:40,760 --> 00:36:41,760 please. 729 00:36:42,380 --> 00:36:44,839 I always go on 730 00:36:44,840 --> 00:36:47,329 the offensive rebound. 731 00:36:47,330 --> 00:36:49,819 Howard Stern over 732 00:36:49,820 --> 00:36:52,309 the weekend found when we lost 733 00:36:52,310 --> 00:36:54,859 Iowa doesn't know 734 00:36:54,860 --> 00:36:57,139 exactly one week long 735 00:36:57,140 --> 00:37:00,169 and I was so long 736 00:37:00,170 --> 00:37:02,329 and suddenly 737 00:37:02,330 --> 00:37:03,330 I was stunned. 738 00:37:05,400 --> 00:37:07,639 So then we I 739 00:37:07,640 --> 00:37:08,640 was starting 740 00:37:09,710 --> 00:37:12,289 Super Bowl when we lost 741 00:37:12,290 --> 00:37:13,579 Iowa stars in 742 00:37:15,410 --> 00:37:17,329 St. Louis. 743 00:37:17,330 --> 00:37:18,920 I was so low. 744 00:37:20,090 --> 00:37:21,469 And when we 745 00:37:22,940 --> 00:37:25,260 go through 2016 746 00:37:26,560 --> 00:37:29,779 St. John's, please, 747 00:37:29,780 --> 00:37:31,460 please, please 748 00:37:32,930 --> 00:37:34,909 God, I would. 749 00:37:34,910 --> 00:37:36,169 I would. 750 00:37:36,170 --> 00:37:37,170 I would 751 00:37:41,560 --> 00:37:42,560 tell 752 00:37:44,510 --> 00:37:46,589 them to do 753 00:37:46,590 --> 00:37:49,679 so. Then we, 754 00:37:49,680 --> 00:37:51,389 we we 755 00:37:52,630 --> 00:37:53,659 don't. 756 00:37:53,660 --> 00:37:56,179 I was stunned alert. 757 00:37:56,180 --> 00:37:57,180 I always 758 00:37:58,240 --> 00:37:59,240 was 759 00:38:02,150 --> 00:38:03,709 not game dancing. 760 00:38:03,710 --> 00:38:06,439 I'm ready and 761 00:38:06,440 --> 00:38:08,599 you can dance tonight to if you come to 762 00:38:08,600 --> 00:38:10,250 our grave that we prepared, 763 00:38:11,510 --> 00:38:14,059 especially for the for the Congress. 764 00:38:14,060 --> 00:38:16,609 We made a beautiful Mozilla hopes 765 00:38:16,610 --> 00:38:18,829 and space 766 00:38:18,830 --> 00:38:20,749 for top billing. 767 00:38:20,750 --> 00:38:22,339 So you are very welcome to join us 768 00:38:22,340 --> 00:38:25,589 tonight. The link is in Lebanon. 769 00:38:25,590 --> 00:38:28,309 It top place with P. 770 00:38:28,310 --> 00:38:30,619 Please look for it in Twitter. 771 00:38:30,620 --> 00:38:33,559 I have posted the links 772 00:38:33,560 --> 00:38:34,880 and if you are 773 00:38:36,230 --> 00:38:38,329 looking in the assemblies, we are to be 774 00:38:38,330 --> 00:38:40,399 lap because we made our lap 775 00:38:41,560 --> 00:38:43,429 there. So it's our space and you will 776 00:38:43,430 --> 00:38:44,449 find the links there. 777 00:38:44,450 --> 00:38:46,549 Come visit us if you want to 778 00:38:46,550 --> 00:38:49,249 become one of us and I got Raver 779 00:38:49,250 --> 00:38:51,949 or a life coder, please 780 00:38:51,950 --> 00:38:54,049 join us into black dot 781 00:38:54,050 --> 00:38:54,589 org. 782 00:38:54,590 --> 00:38:56,869 As I mentioned before, and 783 00:38:57,920 --> 00:39:00,079 we have here some of this if you 784 00:39:00,080 --> 00:39:02,029 Google most, some life coding, you can 785 00:39:02,030 --> 00:39:04,309 find this beautiful GitHub 786 00:39:04,310 --> 00:39:06,289 repository with a lot of information 787 00:39:06,290 --> 00:39:08,779 about life, coding and Hargraves. 788 00:39:08,780 --> 00:39:10,729 And of course, we have a number of code 789 00:39:10,730 --> 00:39:13,109 of conduct, which is 790 00:39:13,110 --> 00:39:14,269 we are inclusive. 791 00:39:14,270 --> 00:39:16,189 Please be respectful, be nice to each 792 00:39:16,190 --> 00:39:18,169 other. And of course, just to mention 793 00:39:18,170 --> 00:39:20,239 briefly that we have done some 794 00:39:20,240 --> 00:39:22,519 raising virtual reality, and 795 00:39:22,520 --> 00:39:24,379 this is more or less what you will find 796 00:39:24,380 --> 00:39:26,170 tonight, and 797 00:39:29,440 --> 00:39:31,969 that is 798 00:39:31,970 --> 00:39:33,889 where you can wear your avatars. 799 00:40:30,050 --> 00:40:32,029 Peter, it's not written yet, and you can 800 00:40:32,030 --> 00:40:34,099 be part of this uncertain future if 801 00:40:34,100 --> 00:40:36,109 you want. So thank you very much for 802 00:40:36,110 --> 00:40:38,389 having me. My 40 minutes of 803 00:40:38,390 --> 00:40:41,929 talk I've done and I'm open to questions. 804 00:40:41,930 --> 00:40:43,880 Then if you have any question, please. 805 00:40:47,950 --> 00:40:49,239 Thank you, Seahawks. 806 00:40:52,620 --> 00:40:53,579 Yeah. 807 00:40:53,580 --> 00:40:55,669 Sandra, oh, I don't 808 00:40:55,670 --> 00:40:57,739 know whether we're already in the 809 00:40:57,740 --> 00:40:59,660 life here in Potsdam. 810 00:41:04,600 --> 00:41:05,600 Can I? 811 00:41:08,300 --> 00:41:09,820 And he has been like this whole. 812 00:41:10,830 --> 00:41:11,759 OK. 813 00:41:11,760 --> 00:41:13,829 All right. So I 814 00:41:13,830 --> 00:41:15,569 guess I guess where we're back in 815 00:41:15,570 --> 00:41:17,819 Potsdam, so thank you, Alexandra, 816 00:41:17,820 --> 00:41:19,949 very much for for your awesome talk. 817 00:41:21,480 --> 00:41:23,729 I actually I was also 818 00:41:23,730 --> 00:41:25,949 a bit moving to to to the music that 819 00:41:25,950 --> 00:41:28,349 you played. So definitely 820 00:41:28,350 --> 00:41:30,449 something something to check 821 00:41:30,450 --> 00:41:32,579 out and to dance to. 822 00:41:32,580 --> 00:41:34,889 And yeah, what 823 00:41:34,890 --> 00:41:35,890 would you say? 824 00:41:36,870 --> 00:41:38,999 How easy is it as a 825 00:41:39,000 --> 00:41:41,999 as a newcomer to to 826 00:41:42,000 --> 00:41:44,399 get into the is 827 00:41:44,400 --> 00:41:46,859 the area of algo rave like 828 00:41:46,860 --> 00:41:49,889 if you have never coded before 829 00:41:49,890 --> 00:41:52,079 or for example, are you 830 00:41:52,080 --> 00:41:54,839 just new to music and 831 00:41:54,840 --> 00:41:57,089 improvization composition, 832 00:41:57,090 --> 00:41:58,169 these kind of things? 833 00:41:59,280 --> 00:42:01,859 It is actually quite easy. 834 00:42:01,860 --> 00:42:04,079 A big effort in the community has made 835 00:42:04,080 --> 00:42:06,539 a big effort to make languages 836 00:42:06,540 --> 00:42:08,429 that are easy to use. 837 00:42:08,430 --> 00:42:10,589 For example, the title cycles 838 00:42:10,590 --> 00:42:13,559 that we saw at the end and 839 00:42:13,560 --> 00:42:15,779 you saw a lot of complex 840 00:42:15,780 --> 00:42:17,759 functions that Alex made because he's the 841 00:42:17,760 --> 00:42:18,779 one who wrote the software. 842 00:42:18,780 --> 00:42:21,569 He knows it better than anyone else. 843 00:42:21,570 --> 00:42:24,089 But actually, when I teach and 844 00:42:24,090 --> 00:42:26,969 we can start making sounds immediately 845 00:42:26,970 --> 00:42:29,429 went with very, very simple code 846 00:42:29,430 --> 00:42:31,019 with a couple of instructions you can 847 00:42:31,020 --> 00:42:32,339 start doing it. 848 00:42:32,340 --> 00:42:34,529 So for me, it 849 00:42:34,530 --> 00:42:36,689 was hard two years ago because I 850 00:42:36,690 --> 00:42:38,339 started with supercollider and 851 00:42:38,340 --> 00:42:39,359 supercollider. 852 00:42:39,360 --> 00:42:41,489 It's a wonderful, super powerful 853 00:42:41,490 --> 00:42:42,510 software open source, 854 00:42:44,070 --> 00:42:46,289 but it has quite a steep learning curve. 855 00:42:46,290 --> 00:42:48,509 So I had to do the 856 00:42:48,510 --> 00:42:50,639 then I had to repeat 857 00:42:50,640 --> 00:42:52,859 the introductory course in Mexico and 858 00:42:52,860 --> 00:42:54,959 wanted to learn supercollider, 859 00:42:54,960 --> 00:42:57,749 and I used to feel like a move, but 860 00:42:57,750 --> 00:43:00,299 it has given me all the tools I need to 861 00:43:00,300 --> 00:43:01,329 for my profession. 862 00:43:01,330 --> 00:43:03,449 I'm a professional musician and 863 00:43:03,450 --> 00:43:05,759 my main tool is supercollider 864 00:43:05,760 --> 00:43:07,439 and tighten cycles. 865 00:43:07,440 --> 00:43:09,309 So it has a big range. 866 00:43:09,310 --> 00:43:11,339 You can learn it very quickly if you're 867 00:43:11,340 --> 00:43:12,599 interested. 868 00:43:12,600 --> 00:43:15,449 And if I mean 869 00:43:15,450 --> 00:43:17,099 that the good thing about the algorithm 870 00:43:17,100 --> 00:43:19,559 is that we are open to them. 871 00:43:19,560 --> 00:43:21,779 For instance, tonight we will have 872 00:43:21,780 --> 00:43:23,969 to two people who have 873 00:43:23,970 --> 00:43:27,299 never performed before in an algorithm. 874 00:43:27,300 --> 00:43:30,029 So we are not looking for stars 875 00:43:30,030 --> 00:43:32,219 or, you know, like we 876 00:43:32,220 --> 00:43:35,039 are welcoming newcomers all the time. 877 00:43:35,040 --> 00:43:37,139 So you get to try your things 878 00:43:37,140 --> 00:43:39,809 in very, very rapidly 879 00:43:39,810 --> 00:43:41,999 once you have something someone sounds to 880 00:43:42,000 --> 00:43:44,129 show. We will be very happy 881 00:43:44,130 --> 00:43:45,749 to hear you playing them. 882 00:43:45,750 --> 00:43:47,910 So it's quite a celebratory. 883 00:43:49,190 --> 00:43:50,190 And. 884 00:44:28,530 --> 00:44:30,959 That's that sounds wonderful. 885 00:44:30,960 --> 00:44:32,639 Yeah, I think it's like in every 886 00:44:32,640 --> 00:44:34,859 community, it's it's crucial 887 00:44:34,860 --> 00:44:35,860 to 888 00:44:37,530 --> 00:44:39,599 that. The community itself is 889 00:44:39,600 --> 00:44:41,819 as open and welcoming also to 890 00:44:41,820 --> 00:44:43,170 turn to newcomers 891 00:44:44,550 --> 00:44:46,739 because I feel 892 00:44:46,740 --> 00:44:47,740 that's. 893 00:44:49,550 --> 00:44:51,709 That's a 894 00:44:51,710 --> 00:44:54,109 lot of communities have those unwritten 895 00:44:54,110 --> 00:44:56,469 rules, and of course, 896 00:44:56,470 --> 00:44:58,639 you can't know them from the start. 897 00:44:58,640 --> 00:45:00,859 And so it's very, 898 00:45:00,860 --> 00:45:03,559 very good to when you say that 899 00:45:03,560 --> 00:45:05,299 the Al-Gharafa community is open and 900 00:45:05,300 --> 00:45:07,849 welcoming and you're allowed to 901 00:45:07,850 --> 00:45:09,260 to do mistakes 902 00:45:10,400 --> 00:45:13,609 and for 40 40, 903 00:45:13,610 --> 00:45:15,199 what you said about the different 904 00:45:15,200 --> 00:45:17,269 programs that you have. 905 00:45:17,270 --> 00:45:19,429 I personally found myself. 906 00:45:19,430 --> 00:45:21,589 Well, there's, for example, an image 907 00:45:21,590 --> 00:45:23,059 manipulation programs. 908 00:45:24,230 --> 00:45:26,569 Of course, you have the big tools 909 00:45:26,570 --> 00:45:29,809 that everybody uses like Photoshop. 910 00:45:29,810 --> 00:45:31,969 But then, for example, if I just 911 00:45:31,970 --> 00:45:34,040 want to crop something out of my picture, 912 00:45:35,180 --> 00:45:37,519 I just need a tool that does that 913 00:45:37,520 --> 00:45:39,439 and doesn't have all the power. 914 00:45:39,440 --> 00:45:41,599 So I guess from what you said, 915 00:45:41,600 --> 00:45:43,849 the the different softwares that you have 916 00:45:43,850 --> 00:45:45,320 in the Al-Gharafa community. 917 00:45:47,170 --> 00:45:49,339 It sounds that it's 918 00:45:49,340 --> 00:45:51,649 quite similar. 919 00:45:51,650 --> 00:45:54,439 Um, another question that I 920 00:45:54,440 --> 00:45:56,539 have is you said about 921 00:45:59,120 --> 00:46:01,309 the Aguirre's community is 922 00:46:01,310 --> 00:46:03,469 also quite inclusive and 923 00:46:03,470 --> 00:46:05,749 wants to bring 924 00:46:05,750 --> 00:46:07,879 down barriers for 925 00:46:07,880 --> 00:46:09,769 people that might not be inside your 926 00:46:09,770 --> 00:46:12,829 community yet, be it 927 00:46:12,830 --> 00:46:15,259 physically challenged, 928 00:46:15,260 --> 00:46:17,899 challenged or disabled people 929 00:46:17,900 --> 00:46:20,119 or, for example, people from 930 00:46:20,120 --> 00:46:21,170 all over the world. 931 00:46:22,490 --> 00:46:23,840 What what would you say? 932 00:46:24,920 --> 00:46:26,050 How, how 933 00:46:27,200 --> 00:46:28,309 not how big is your effort? 934 00:46:28,310 --> 00:46:30,499 But at what 935 00:46:30,500 --> 00:46:31,429 phase are you? 936 00:46:31,430 --> 00:46:32,599 Are ready? 937 00:46:32,600 --> 00:46:35,119 Are you quite still at the beginning 938 00:46:36,140 --> 00:46:38,749 to to reach out to 939 00:46:38,750 --> 00:46:39,750 other people? 940 00:46:42,500 --> 00:46:44,509 How much work is still need? 941 00:46:44,510 --> 00:46:46,399 Is need still to be done? 942 00:46:46,400 --> 00:46:49,459 Yeah, it has been a constant work 943 00:46:49,460 --> 00:46:51,409 with the group that now is the 10th 944 00:46:51,410 --> 00:46:53,569 anniversary and with the 945 00:46:53,570 --> 00:46:57,049 coding 20th anniversary, 946 00:46:57,050 --> 00:46:59,329 we have a few. 947 00:46:59,330 --> 00:47:01,849 This is the most well-balanced 948 00:47:01,850 --> 00:47:04,099 community I know in tech and 949 00:47:04,100 --> 00:47:06,619 in arts, both in my experience. 950 00:47:06,620 --> 00:47:08,299 So that's why I have. 951 00:47:08,300 --> 00:47:10,519 I thrive so much in this community 952 00:47:10,520 --> 00:47:12,709 because and 953 00:47:12,710 --> 00:47:14,119 I feel very well balanced. 954 00:47:14,120 --> 00:47:16,279 So even though we have a 955 00:47:16,280 --> 00:47:18,949 lot of people from other races, still 956 00:47:18,950 --> 00:47:21,279 very much most of the people in the group 957 00:47:21,280 --> 00:47:23,479 and they've gone community are right 958 00:47:23,480 --> 00:47:25,639 back to what we do is a big work 959 00:47:25,640 --> 00:47:28,189 on understanding what can we do to 960 00:47:28,190 --> 00:47:30,049 decolonize ourselves. 961 00:47:30,050 --> 00:47:32,689 We just recently had the international 962 00:47:32,690 --> 00:47:34,549 community and we were discussing this 963 00:47:34,550 --> 00:47:36,619 very, very much in 964 00:47:36,620 --> 00:47:38,899 depth how from the social point 965 00:47:38,900 --> 00:47:41,359 of view, how can we make each one, 966 00:47:41,360 --> 00:47:43,609 no matter which background we have, which 967 00:47:43,610 --> 00:47:45,199 race we gender we are? 968 00:47:45,200 --> 00:47:47,389 How can we help to make 969 00:47:47,390 --> 00:47:50,119 these barriers lower and spread 970 00:47:50,120 --> 00:47:52,219 the world, the world of this community 971 00:47:52,220 --> 00:47:54,349 that is so welcoming? 972 00:47:54,350 --> 00:47:57,109 But still, you see people 973 00:47:57,110 --> 00:47:59,149 who are intertwined in the community. 974 00:47:59,150 --> 00:48:01,279 We are the still less people. 975 00:48:01,280 --> 00:48:03,469 So these are some of the efforts 976 00:48:03,470 --> 00:48:05,179 we have to make and we will continue 977 00:48:05,180 --> 00:48:06,139 making. 978 00:48:06,140 --> 00:48:08,279 But as far as they know, 979 00:48:08,280 --> 00:48:10,339 when they have a good overview of how 980 00:48:10,340 --> 00:48:13,309 the community is doing in 981 00:48:13,310 --> 00:48:14,869 everywhere in the world, but there is 982 00:48:14,870 --> 00:48:16,639 another grave. You will find someone who 983 00:48:16,640 --> 00:48:18,829 is. The organizers follow 984 00:48:18,830 --> 00:48:21,169 also our code of conduct in which 985 00:48:21,170 --> 00:48:23,269 we know that we we need to strive 986 00:48:23,270 --> 00:48:24,329 for diversity. 987 00:48:24,330 --> 00:48:26,509 Also, when we give workshops, we do a lot 988 00:48:26,510 --> 00:48:28,159 of workshops for women only, for 989 00:48:28,160 --> 00:48:30,379 instance, because it's necessary for 990 00:48:30,380 --> 00:48:32,569 for the equity of the whole 991 00:48:32,570 --> 00:48:34,459 thing equality. 992 00:48:34,460 --> 00:48:36,679 So we need to open spaces 993 00:48:36,680 --> 00:48:39,069 in ourselves. 994 00:48:39,070 --> 00:48:41,179 And for me, the effort 995 00:48:41,180 --> 00:48:43,399 of being here has been an effort 996 00:48:43,400 --> 00:48:45,469 to open this place now to to tell 997 00:48:45,470 --> 00:48:46,609 you you're welcome. 998 00:48:46,610 --> 00:48:48,739 And let's think together in another ways 999 00:48:48,740 --> 00:48:50,569 of making music, in another ways of 1000 00:48:50,570 --> 00:48:52,789 having parties, of teaching 1001 00:48:52,790 --> 00:48:54,949 to each other and to 1002 00:48:54,950 --> 00:48:57,049 bring ideas that 1003 00:48:57,050 --> 00:48:59,659 sadly, capitalism and the industry 1004 00:48:59,660 --> 00:49:01,999 have made us believe that music is only 1005 00:49:02,000 --> 00:49:03,949 these when actually music is something 1006 00:49:03,950 --> 00:49:05,959 infinite and belongs to all of us. 1007 00:49:05,960 --> 00:49:08,089 So you don't need to have a special 1008 00:49:08,090 --> 00:49:09,049 age range. 1009 00:49:09,050 --> 00:49:11,209 The Special System You 1010 00:49:11,210 --> 00:49:13,459 can make music with the Raspberry 1011 00:49:13,460 --> 00:49:15,909 Pi if you use one pay, for instance, 1012 00:49:15,910 --> 00:49:18,439 and so that summer effort is still 1013 00:49:18,440 --> 00:49:20,509 it's a lot and we need a lot 1014 00:49:20,510 --> 00:49:22,459 of things to make. 1015 00:49:22,460 --> 00:49:24,679 But I hope, for instance, we can be here 1016 00:49:24,680 --> 00:49:27,409 next year again and we can still 1017 00:49:27,410 --> 00:49:29,599 be showing what we do 1018 00:49:29,600 --> 00:49:31,699 and we're proud of the work we have 1019 00:49:31,700 --> 00:49:33,649 done. So yeah. 1020 00:49:33,650 --> 00:49:35,479 Thank you. 1021 00:49:35,480 --> 00:49:36,589 You're totally welcome. 1022 00:49:36,590 --> 00:49:38,689 I think this 1023 00:49:38,690 --> 00:49:39,690 is a great 1024 00:49:42,200 --> 00:49:45,379 move, but it has a lot of potential 1025 00:49:45,380 --> 00:49:47,479 still and and and 1026 00:49:47,480 --> 00:49:48,979 from what I have seen and. 1027 00:49:48,980 --> 00:49:51,139 What I've heard is it's 1028 00:49:51,140 --> 00:49:53,419 already quite wonderful that what 1029 00:49:53,420 --> 00:49:55,219 you have and I haven't heard about Al 1030 00:49:55,220 --> 00:49:57,439 Gore before, and I 1031 00:49:57,440 --> 00:49:59,749 will if if time 1032 00:49:59,750 --> 00:50:01,969 allows, I will definitely check out 1033 00:50:01,970 --> 00:50:04,249 your your session later, 1034 00:50:04,250 --> 00:50:06,679 later that evening at 1035 00:50:06,680 --> 00:50:09,229 7.30pm at 1036 00:50:09,230 --> 00:50:10,819 top Berlin. 1037 00:50:10,820 --> 00:50:12,889 And yeah, but 1038 00:50:12,890 --> 00:50:15,109 let's continue with questions from 1039 00:50:15,110 --> 00:50:16,110 the interwebs. 1040 00:50:17,450 --> 00:50:19,369 There's one question Where can I find a 1041 00:50:19,370 --> 00:50:21,649 quick start from setting up the tools 1042 00:50:21,650 --> 00:50:22,669 to hearing the first? 1043 00:50:22,670 --> 00:50:23,719 Sounds like? 1044 00:50:23,720 --> 00:50:25,879 Is there a tutorial that 1045 00:50:25,880 --> 00:50:27,939 one can find if you go to 1046 00:50:27,940 --> 00:50:30,589 the tidal cycle's website? 1047 00:50:30,590 --> 00:50:32,209 I'm showing my screen, so let's go 1048 00:50:32,210 --> 00:50:33,210 together. 1049 00:50:34,100 --> 00:50:36,449 One thing I say it's let's go 1050 00:50:38,510 --> 00:50:40,789 for some life calling. 1051 00:50:42,260 --> 00:50:44,449 You will find a repository in 1052 00:50:44,450 --> 00:50:46,789 the dump, but 1053 00:50:46,790 --> 00:50:49,069 I recommend this one a lot because 1054 00:50:49,070 --> 00:50:51,289 it has a very comprehensive list 1055 00:50:51,290 --> 00:50:53,449 of of the languages 1056 00:50:53,450 --> 00:50:56,299 we use libraries, tools, 1057 00:50:56,300 --> 00:50:58,489 websites, community, 1058 00:50:58,490 --> 00:51:01,789 please come to the community 1059 00:51:01,790 --> 00:51:04,759 if you want to have sounds like no. 1060 00:51:04,760 --> 00:51:06,379 There are two good options. 1061 00:51:06,380 --> 00:51:08,030 This story is the first one, 1062 00:51:09,170 --> 00:51:11,299 which is a platform 1063 00:51:11,300 --> 00:51:13,339 for networking music. 1064 00:51:13,340 --> 00:51:15,379 So if you and I open 1065 00:51:18,500 --> 00:51:20,630 it up to the discord 1066 00:51:21,710 --> 00:51:24,079 because we're in community, but 1067 00:51:24,080 --> 00:51:26,299 let's go to us to. 1068 00:51:26,300 --> 00:51:27,300 It's too 1069 00:51:28,790 --> 00:51:29,790 good to see 1070 00:51:31,100 --> 00:51:33,109 it is the University of McMaster in 1071 00:51:33,110 --> 00:51:34,110 Canada. 1072 00:51:35,000 --> 00:51:37,309 The teacher there, David 1073 00:51:37,310 --> 00:51:39,529 Osborne, along with his students 1074 00:51:39,530 --> 00:51:41,509 and some other collaborators, have 1075 00:51:41,510 --> 00:51:43,609 created these platforms, which 1076 00:51:43,610 --> 00:51:46,189 aims exactly to 1077 00:51:46,190 --> 00:51:48,409 this tune so we can start 1078 00:51:48,410 --> 00:51:49,609 making sounds right now. 1079 00:51:52,100 --> 00:51:53,869 Tonight, what I hope you at home can 1080 00:51:53,870 --> 00:51:55,999 access into it. 1081 00:51:56,000 --> 00:51:58,759 You will find a tutorial. 1082 00:51:58,760 --> 00:52:01,399 Everything is very well explained. 1083 00:52:01,400 --> 00:52:03,529 The idea is, for instance, wherever you 1084 00:52:03,530 --> 00:52:05,359 are and me, we could start playing 1085 00:52:05,360 --> 00:52:07,609 together, maybe as my internet 1086 00:52:07,610 --> 00:52:09,169 version of going right now. 1087 00:52:09,170 --> 00:52:11,719 Maybe I'm using my plans for the 1088 00:52:11,720 --> 00:52:13,819 I don't know, but usually for 1089 00:52:13,820 --> 00:52:15,019 maybe the server is busy. 1090 00:52:15,020 --> 00:52:16,339 Everybody's like going into this 1091 00:52:16,340 --> 00:52:18,649 property, Mr. Well, 1092 00:52:18,650 --> 00:52:20,869 maybe, maybe all 1093 00:52:20,870 --> 00:52:23,479 of the combined chaos 1094 00:52:23,480 --> 00:52:25,579 is now on the server if 1095 00:52:25,580 --> 00:52:26,580 we don't know 1096 00:52:27,740 --> 00:52:29,839 better the language you want to use 1097 00:52:29,840 --> 00:52:31,040 to play. 1098 00:52:32,060 --> 00:52:34,729 I recommend, of course, 1099 00:52:34,730 --> 00:52:37,099 tidal cycles must be 1100 00:52:37,100 --> 00:52:38,100 in the list. 1101 00:52:38,780 --> 00:52:41,659 But let's go to the tidal cycles, 1102 00:52:41,660 --> 00:52:44,359 which is the most used one 1103 00:52:44,360 --> 00:52:46,669 for making music 1104 00:52:46,670 --> 00:52:48,709 is the one of the last to be doing 1105 00:52:48,710 --> 00:52:49,969 showed. 1106 00:52:49,970 --> 00:52:50,970 And 1107 00:52:52,040 --> 00:52:53,629 the thing is that it is in high school 1108 00:52:53,630 --> 00:52:55,429 and it has been a big, difficult to 1109 00:52:55,430 --> 00:52:56,779 install. 1110 00:52:56,780 --> 00:52:59,119 But in the documentation, you can follow 1111 00:52:59,120 --> 00:53:00,419 them. 1112 00:53:00,420 --> 00:53:02,779 The installed tidal, it has some 1113 00:53:02,780 --> 00:53:05,299 boot straps for Macintosh 1114 00:53:05,300 --> 00:53:07,669 now, and if you have trouble 1115 00:53:07,670 --> 00:53:10,729 installing, please reach the community. 1116 00:53:10,730 --> 00:53:12,379 The other one that is super easy to 1117 00:53:12,380 --> 00:53:14,239 install and has great tutorials. 1118 00:53:14,240 --> 00:53:15,240 Son Pay. 1119 00:53:19,110 --> 00:53:21,179 Standing by the local music 1120 00:53:21,180 --> 00:53:22,559 scene for everyone. 1121 00:53:24,130 --> 00:53:26,929 So these languages, tetracyclines 1122 00:53:26,930 --> 00:53:29,409 and campaigns are 1123 00:53:29,410 --> 00:53:32,319 controllers for you, SuperCollider, 1124 00:53:32,320 --> 00:53:34,569 the one I mentioned before, that is quite 1125 00:53:34,570 --> 00:53:36,609 a difficult software to learn. 1126 00:53:36,610 --> 00:53:38,949 So these are efforts of the people 1127 00:53:38,950 --> 00:53:41,109 in the local community to make 1128 00:53:41,110 --> 00:53:43,419 it easier to learn and to make it easier 1129 00:53:43,420 --> 00:53:45,519 to perform when you're performing 1130 00:53:45,520 --> 00:53:47,079 and you can. So therefore, sometimes you 1131 00:53:47,080 --> 00:53:48,729 miss a comma, you miss a parentheses. 1132 00:53:48,730 --> 00:53:51,099 So they have created these languages are 1133 00:53:51,100 --> 00:53:53,739 quite easily needless 1134 00:53:53,740 --> 00:53:56,109 characters, and you can make more complex 1135 00:53:56,110 --> 00:53:58,629 and beautiful things with simple code. 1136 00:53:58,630 --> 00:54:00,819 So nearby, you can download it and 1137 00:54:00,820 --> 00:54:03,459 install it immediately, and the tutorial 1138 00:54:03,460 --> 00:54:05,589 is fantastic. In one minute, you can 1139 00:54:05,590 --> 00:54:07,209 start making sounds. 1140 00:54:07,210 --> 00:54:09,609 So, yeah, I welcome you 1141 00:54:09,610 --> 00:54:12,099 to Sydney, so keep my list 1142 00:54:12,100 --> 00:54:14,259 in hand because if you want to make, for 1143 00:54:14,260 --> 00:54:16,479 instance, which runs 1144 00:54:16,480 --> 00:54:18,779 it, let's go to 1145 00:54:18,780 --> 00:54:19,780 Hydra 1146 00:54:22,450 --> 00:54:23,879 and I 1147 00:54:25,420 --> 00:54:27,729 don't remember exactly the address. 1148 00:54:31,240 --> 00:54:34,689 It has the guitar cars, it's wonderful, 1149 00:54:34,690 --> 00:54:37,089 everything's open source for it, 1150 00:54:37,090 --> 00:54:39,069 forget you can use it. 1151 00:54:39,070 --> 00:54:40,719 So for instance, if you want to start 1152 00:54:40,720 --> 00:54:42,550 making big shots, you can start now 1153 00:54:43,630 --> 00:54:46,119 to get started. Close this window, change 1154 00:54:46,120 --> 00:54:48,189 some numbers and take control 1155 00:54:48,190 --> 00:54:50,679 shift. Enter two to run the code. 1156 00:54:50,680 --> 00:54:53,049 So let's say this is the code. 1157 00:54:53,050 --> 00:54:55,299 So you see the community is is 1158 00:54:55,300 --> 00:54:56,199 sharing. 1159 00:54:56,200 --> 00:54:57,939 There are their algorithms now. 1160 00:54:59,140 --> 00:55:01,239 So let's say again, I want to. 1161 00:55:01,240 --> 00:55:03,309 I want to see what happens if this stuff 1162 00:55:03,310 --> 00:55:05,589 was so I put one 1163 00:55:05,590 --> 00:55:06,590 zero here 1164 00:55:08,230 --> 00:55:09,230 and. 1165 00:55:12,350 --> 00:55:14,569 You to them, yeah. 1166 00:55:14,570 --> 00:55:16,369 You see, I got some sort of 13 1167 00:55:16,370 --> 00:55:19,339 oscillations, a good one hundred thirty. 1168 00:55:19,340 --> 00:55:21,619 And if I get one and like 1169 00:55:21,620 --> 00:55:23,330 this, I am life good now. 1170 00:55:24,650 --> 00:55:26,779 I am likening my patience with some 1171 00:55:26,780 --> 00:55:28,999 of an algorithm that's a list 1172 00:55:29,000 --> 00:55:31,420 of equipment and 1173 00:55:32,450 --> 00:55:34,609 none. This is great fun and you can 1174 00:55:34,610 --> 00:55:35,610 try it at home. 1175 00:55:37,000 --> 00:55:39,249 You can use it for your concerts, and 1176 00:55:39,250 --> 00:55:41,619 this is the most used software 1177 00:55:41,620 --> 00:55:43,659 in for the U.S. 1178 00:55:43,660 --> 00:55:46,329 tonight, and we have a lot of things 1179 00:55:46,330 --> 00:55:47,559 with hide. 1180 00:55:47,560 --> 00:55:49,629 So this jury, when we went to 1181 00:55:49,630 --> 00:55:50,630 collaborate, 1182 00:55:53,260 --> 00:55:55,329 we can go to 1183 00:55:55,330 --> 00:55:57,609 I'm going to create an ensemble for 1184 00:55:57,610 --> 00:55:59,590 the RNC through. 1185 00:56:01,400 --> 00:56:03,549 And, you know, we didn't even friends was 1186 00:56:03,550 --> 00:56:04,840 listening to me. 1187 00:56:06,190 --> 00:56:07,499 Her time, yeah, 1188 00:56:09,580 --> 00:56:11,329 to use her name. 1189 00:56:11,330 --> 00:56:13,379 Yes, I'm I'm sorry about. 1190 00:56:13,380 --> 00:56:15,669 I think we 1191 00:56:15,670 --> 00:56:16,670 were. 1192 00:56:17,320 --> 00:56:18,669 We've run out of time. 1193 00:56:18,670 --> 00:56:21,489 So but maybe as a final 1194 00:56:21,490 --> 00:56:24,309 as a final question from 1195 00:56:24,310 --> 00:56:26,649 for the D-Day 1196 00:56:26,650 --> 00:56:28,929 project that you showed 1197 00:56:28,930 --> 00:56:30,729 just now, for example, but also 1198 00:56:30,730 --> 00:56:33,219 especially the the the videos 1199 00:56:33,220 --> 00:56:35,499 and other things, the links 1200 00:56:35,500 --> 00:56:36,500 that you showed. 1201 00:56:38,470 --> 00:56:40,749 Will it be available somewhere or 1202 00:56:40,750 --> 00:56:42,279 should we discuss this afterwards? 1203 00:56:42,280 --> 00:56:44,439 Yes, I'm going to put all this in 1204 00:56:44,440 --> 00:56:46,509 our assembly in 1205 00:56:46,510 --> 00:56:48,789 the top lab building assembly, 1206 00:56:48,790 --> 00:56:51,669 which recently. 1207 00:56:51,670 --> 00:56:53,039 All right, right? 1208 00:56:53,040 --> 00:56:55,359 I think I think it's 1209 00:56:55,360 --> 00:56:56,360 a. 1210 00:56:59,680 --> 00:57:01,749 Also, we 1211 00:57:01,750 --> 00:57:04,329 will we will publish 1212 00:57:04,330 --> 00:57:06,399 those things add 1213 00:57:06,400 --> 00:57:07,400 up. 1214 00:57:12,610 --> 00:57:15,219 So fines, of course, topple 1215 00:57:15,220 --> 00:57:16,179 Berlin. 1216 00:57:16,180 --> 00:57:18,999 And also 1217 00:57:19,000 --> 00:57:21,459 this tonight's session and 1218 00:57:21,460 --> 00:57:23,829 so that you are well prepared 1219 00:57:23,830 --> 00:57:26,169 and well informed about the 1220 00:57:26,170 --> 00:57:28,029 ugly rave community. 1221 00:57:28,030 --> 00:57:29,469 How about that? 1222 00:57:29,470 --> 00:57:32,109 Excellent. So just just. 1223 00:57:32,110 --> 00:57:35,049 Yes. So at 7:30 1224 00:57:35,050 --> 00:57:37,329 pm tonight, check out I'll 1225 00:57:37,330 --> 00:57:39,489 go check out a couple of Berlin and and 1226 00:57:39,490 --> 00:57:41,709 the algo VR session. 1227 00:57:41,710 --> 00:57:42,710 And 1228 00:57:43,960 --> 00:57:44,960 once. 1229 00:57:46,220 --> 00:57:48,859 Once again, a warm a 1230 00:57:48,860 --> 00:57:51,139 warm thank you for this wonderful talk. 1231 00:57:51,140 --> 00:57:52,140 Alexander.